,Mohammadi Zadeh (attraction intrinsic and, vibrant, dynamism its to due beings human the to back traced be can that phenomenon cultural-scientific a is Music). 11. p, 2001 history the of review brief A). 12-7. pp, 2012, Alvandi (societies human primitive most of means a as or art an as whether, music of application the that suggests life human of .pp, 2002, Hoskyns and, Bunt (creation human of history the as old as is, communication the Despite). 22-15. pp, 2011, al et, Ziraki; 16-12. pp, 1997, Crichely and, Henson; 7-4 musical, mosaics and paintings rock on remaining reliefs and carvings the, Iran in mentsinstru its of knowledge the and music of history the on documents and sources of paucity Islamic the during historians Iranian of writings and, poems, books religious, instruments ,Gazvani (art music the of advocates and musicians of achievements the exhibit period of manifestations the of One). 851. p, 1996, Khaldun Ibn; 22. p, 2005, Ayazi and, Asgari ancient since treatment their and diseases with dealing of way a as serving, backing tificscien staunch has which, treatment and medicine with association its is music of art the ,history medical the as established long as is therapy music that shows Research. times have illnesses mental and physical of process healing the expediting on effects its and and, Walters; 40-36. pp, 1992, Shmit; 47-40. pp, 2000, Darvishi (documented well been emphasizing and, diseases of treatment the on music Iranian original of effects and sionsdimen therapeutic the into looking, study present The). 258-257, 254. pp, 2016, Imish to listening and playing of philosophy the analyzed has, music therapist of category the the discover to technique key a Because. night and day the of times different at music and scientific its of impact the explore to is society human in science and culture of roots .researchers recent and past of works the on drawing by formationin present to made been have attempts, time that at people of life the on beliefs cultural

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